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Martin Achatz (Marquette, MI) Poetry. Paper, perfect bound, 62 pp Based loosely on the Catholic Rosary and other devotional prayers, this collection of poems is quiet and intense, walking the mysterious line between sacramental and sacreligious. |
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Mariela Griffor (Michigan) Poetry. Paper, perfect bound, 56 pp. House is a love affair between the poet and and Chile. While making real the struggles of war, becoming an expatriate and the alienation that accompanies the immersion in a new culture, Griffor also conveys the beauty and nostalgia she feels for her home country. She commands our attention, and we share her sadness, compassion, anger and hope. Influenced greatly by the American lyric tradition, Mariela’s poems play softly and skillfully; the smooth strum lingers in the readers ears. |
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Tenea D. Johnson (Florida) Poetry. Paper, perfect bound, 38pp. Johnson's intricate language invites the reader to connect with the images, music, and tastes of a woman vulnerably exposed. Both urban and natural, Starting Friction resounds with a hope for a nation full of complexity and conflict. |
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Allison Joseph (Carbondale, IL) Poetry. Paper, perfect bound, 36 pp. This enjoyable collection further demonstrates Allison Joseph’s uncanny grasp of language and image, along with a kind of playful and soulful voice that makes her poetry accessible to all. |
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Zilka Joseph (Calcutta/Chicago/Detroit) Poetry. Paper, perfect bound, 42 pp. In richly detailed, exuberant poems, Zilka Joseph embraces the vivid passions of her childhood home in Calcutta and the complex hopes and fears implicit in her move to the Midwest. |
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Suzanne Keyworth (Florida) Poetry. Paper, perfect bound, 72 pp. This group of poems grows out of the history and voices of Suzanne Keyworth's ancestors, who came to the new world in the early 1600’s and the early 1700’s, and were active in the history of Florida. The volume includes family trees and drawings of some of the major ancestors whose voices we hear in the poems.
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Adrienne Lewis (Saginaw, MI) Poetry. Paper, perfect bound, 30 pp. The poem as a form of prayer is one of poetry's earliest traditions. In the lyric poems of this strong first book, Adrienne Lewis explores the nexus of faith and sexuality as experienced in the dilemmas of marriage and family life. |
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Johanny Vázquez Paz (Puerto Rico/Chicago) Poetry - bilingual. Paper, perfect bound,
74 pp. These sensuous and passionate poems explore one of the many strands of contemporary Latino immigrant experience, dancing the tropical sensibility of Puerto Rico among Chicago's concrete and broken glass. In Spanish and English, with translations by the author. |
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Jane Piirto (Michigan/Ohio) Poetry. Paper, perfect bound, 100 pp. From the frozen landscapes of her Finnish forebears to the ice-clear rivers and cold fields of Michigan’s Upper Pennisula, Jane Piirto paints a personal and extraordinary picture. These deeply moving poems are like chants celebrating what sustains us, reminding us of the wonder and mystery in the everyday. |
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Rhoda Stamell (Detroit) Novel. Paper, perfect bound, 126 pp. Mayapple Press's first novel. Stamell "is a conduit for disparate urban voices, jamming characters who probably should be kept away from each other into situations where interaction is a demand.... The voices of her people are true to the ear and to themselves." |
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Rhoda Stamell (Detroit) Short Fiction. Paper, perfect bound, 102
pp. Mayapple Press's first fiction publication. As Charles Baxter says, "All the grit, humor, intelligence and darkness of Detroit" can be found in this collection of stories about people struggling to love and be loved.
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Lidia Torres (Puerto Rico/New York) Poetry. Paper,
perfect bound, 48 pp. These intense poems echo the music of the poet's two
languages, Spanish
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Evelyn Wexler (New York) Paper, saddlestitched, 24 pp These visionary erotic poems imagine the world of the geisha house with a female client and both male and female geishas. |
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All works and poems posted on this homepage and subsidiary pages are copyrighted to the authors. All rights reserved. Works may be downloaded or copied only for personal or classroom use. All other use requires prior written permission (email inquiries accepted).
Updated 6/3/09












